Geoff and I are going to present our latest open access book - Aesthetic Programming: A handbook of Software Studies on 23 Apr (14:30 CET) and it is open for the public. Join us and register here: https://cc.au.dk/aktuelt/arrangementer/vis-arrangement/artikel/book-launch-aesthetic-programming-a-handbook-of-software-studies/
Join us for this public online book launch on 13/4 "The Art of Fixing #Code". Me+ Cornelia Sollfrank in conversation w/ Annet Dekker, participants include Janine Sack fr EECLECTIC,
Morgane Stricot, Matthieu Vlaminck and Margit Rosen, hosted by ZKM
I am going to give a talk on "Exploring data with critical technical-art practice" on 1 Apr @ 1600 as part of the @DesignInf
. It is now open for registration. https://www.designinformatics.org/event/di-webinar-winnie-soon-artist-researcher-at-aarhus-university/
New artwork "What is an image?" By me and Geoff Cox, 2021. - to be published in The Nordic Journal of Aesthetics #graphviz
一直都好想用藝術去intervene知識生產鏈，而呢件作品係想提出什麼是影像的疑問。背後是一行一行的代碼程式，當execute呢個程式後會變成一個diagram（as an image)。這個diagram既內容包括七堂有關不同影像的課程，當解拆每一個書名及關鍵詞後，連結會帶來不同的聯繫，而diagram不再只展現既有程序，而是帶來新的想像空間。#diagramming
Episode 24: Get Organized! https://fossandcrafts.org/episodes/24-get-organized.html
@mlemweb returns from handing in her dissertation! @mlemweb and @cwebber talk topically about organizational systems which can help you stay focused when eg working from home or finishing your PhD (even in a global pandemic)!
Exhibiting #Unerasable #Characters II in Hong Kong Arts center as part of the ifva awards until 14/3. The project explores the politics of erasure and the temporality of voices within the context of digital authoritarianism. It presents the sheer scale of unheard voices by technically examining and culturally reflecting the endlessness, and its wider consequences, of censorship that is implemented through technological platforms and infrastructure.
Thx to weiboscope research project. More info: http://siusoon.net/unerasable-characters-ii/
The work is also showing at Bergen too as part of electronic literature org festival- https://www.uib.no/en/rg/electronicliterature/143181/2021-elo-conference-and-festival-posthuman-exhibition
Super excited to announce the release of paperback #Aesthetic #Programming: A Handbook of #Software Studies, written w/ Geoff Cox, published by @openhumanities Press. Open access PDF + open source (txt+code) Fantastic cover and design by @osp_kitchen : http://www.openhumanitiespress.org/books/titles/aesthetic-programming/
Have been really joyful to work on Queer Motto APi - @transmediale almanac w/ @hp @ccl and Nynne. A project to think about what's software as service, and how we might reorganize and queer our collective life. Check it out and our #API manual #NAPandbeRESTful
Our API manual: https://gitlab.com/siusoon/queer-motto-api
Chinese Natural Language (Pre)processing: An Introduction: https://towardsdatascience.com/chinese-natural-language-pre-processing-an-introduction-995d16c2705f
A really lightening conversation between Audrey Tang (Digital Minister in Taiwan) + Yukiko Shikata (Curator in Japan) w/ shu lea cheang regarding FORKING PIRAGENE, covering art, design, FLOSS, personal data, securitycreative commons, digital vs IT, humanities, nature, alternative possibility and the possible future. Watch here: (one hour) https://t.co/maDv4XI34E
Ready for next week #forkonomy() w/Lee Tzu Tung , which is one of the Forking PiraGene projects for LAB KILL LAB taking place December 14-20, 2020 at C-lab. Forking Piragene takes an unrealized proposal on piragene and piraport from Shih-Chieh Ilya Li and Audrey Tang for Kingdom of Piracy in 2001 and invites hack generation artists to further expand on their concept to “…demonstrate an alternative "identity platform" for pirates, via Gene discrimination, Port multiplexing, and Cross-signed trust chains.”
+++Description of forkonomy ()+++
In contemporary economical expansion, America federal and banks, giant tech corporations have managed to maintain their colonial forces to govern the accessibility and distribution of resources. The rise of China economic power, though operating in a different regime, also follows and adopts similar capitalistic, centralized and advanced (computable) machines, in which the invisible hand exploits ecologies and alienates labors. The economy trade bloc further demarcates the nowaday island states and territories of the Pacific. [...]
Queer OS (2014) by Kara Keeling
A nice read "It understands queer as naming an orientation toward various and shifting aspects of existing reality and the social norms they govern, such that it makes available pressing questions about, eccentric and/or unexpected relationships in, and possibly alternatives to those social norms."
Our first barcode #aestheticprogramming
Stay tuned: http://www.openhumanitiespress.org/books/titles/aesthetic-programming/
(She/They): art+tech, software studies/publishing/art/culture, code/aesthetic programming
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