Day 3: Launch of “Erasure” by artist @siusoon with reviews by @fcr and Tammy Lai-Ming Ho

Online: erase.artdel.net/erasure/ designed by Manufactura Independente @aiscarvalho + @rlafuente

On-site , Norway: Bergen Public Library, University of Bergen Humanities Library, and KMD Faculty of Fine Art, Music and Design

Coming soon
//ERASE is a digital festival and conference on the poetics and politics of erasure. It is a hybrid event, taking place online and on-site. It blends the festival and conference format to showcase commissioned video presentations of creative works, and to contribute to a critical debate on the theme of erasure. ERASE invites international guests to reflect on how the poetic, literary, and artistic practices of erasure relate to wider discussion on aesthetics, technology, and politics.//
nettime.org/Lists-Archives/net

@aparrish This demonstrates that I don't know how to "DM" people on Mastodon. @aparrish knows what Taper is, having contributed, but others, please take a look! https://taper.badquar.to

Show thread

As part of Writing Machine Collective in Hong Kong, we're organizing a free online symposium:"Knowledge Asymmetries in the Age of ". Great line-up with Lauren Lee McCarthy, Btihaj Ajana, Beatrice Fazi, Adrian Weller and Frank Pasquale. Very much looking forward to it. See/register:writingmachine-collective.net/.

The first one is on next Tue - You Can Say “Talk to Me” 你可以說「告訴我」by Lauren Lee McCarthy (Artist and Associate Professor at UCLA Design Media Arts), the session is moderated by Winnie Soon (Artist-researcher and Associate Professor at Aarhus University)

As part of we've created PCDcast as a way to connect w/ local and global art communities and coding scenes. The 1st episode we are v honored to have @deedottiedot 🥰, and I have a conversation with her to talk about "Why code?"👩‍💻 - podcast.pcdaarhus.net/
(more episodes will follow)

The new issue of The Nordic Journal of - "The Changing Ontology of the " is live! Geoff and I have contributed a "What is an image?" Check out the journal: tidsskrift.dk/nja/issue/view/9 and the too: hackmd.io/@siusoon/diagram

Excited to walkthrough my virtual studio with the audiences. This time I will talk about diagramming practice & coded images. is hosted by The Photographers’ Gallery, UK and Fotomuseum Winterthur, Switzerland. Come and join us 🙂

thephotographersgallery.org.uk

We are pleased to announce the new open access/ source web ver of the bk , which is designed and implemented by @osp_kitchen. Check out www.aesthetic-programming.net, and make your own web version with new chapters/references/works by forking the repository: gitlab.com/aesthetic-programmi

Join our coming book launch at 20.00 CET today, hosted by HaCCS Lab. We will also walkthrough our latest OA web version with customized design, interactive and editable sketches for learning, designed by .

Geoff and I are going to present our latest open access book - Aesthetic Programming: A handbook of Software Studies on 23 Apr (14:30 CET) and it is open for the public. Join us and register here: cc.au.dk/aktuelt/arrangementer

Join us for this public online book launch on 13/4 "The Art of Fixing ". Me+ Cornelia Sollfrank in conversation w/ Annet Dekker, participants include Janine Sack fr EECLECTIC,
Morgane Stricot, Matthieu Vlaminck and Margit Rosen, hosted by ZKM

zkm.de/en/event/2021/04/the-ar

I am going to give a talk on "Exploring data with critical technical-art practice" on 1 Apr @ 1600 as part of the @DesignInf
. It is now open for registration. designinformatics.org/event/di

New artwork "What is an image?" By me and Geoff Cox, 2021. - to be published in The Nordic Journal of Aesthetics

一直都好想用藝術去intervene知識生產鏈,而呢件作品係想提出什麼是影像的疑問。背後是一行一行的代碼程式,當execute呢個程式後會變成一個diagram(as an image)。這個diagram既內容包括七堂有關不同影像的課程,當解拆每一個書名及關鍵詞後,連結會帶來不同的聯繫,而diagram不再只展現既有程序,而是帶來新的想像空間。

Episode 24: Get Organized! https://fossandcrafts.org/episodes/24-get-organized.html

@mlemweb returns from handing in her dissertation! @mlemweb and @cwebber talk topically about organizational systems which can help you stay focused when eg working from home or finishing your PhD (even in a global pandemic)!

Exhibiting II in Hong Kong Arts center as part of the ifva awards until 14/3. The project explores the politics of erasure and the temporality of voices within the context of digital authoritarianism. It presents the sheer scale of unheard voices by technically examining and culturally reflecting the endlessness, and its wider consequences, of censorship that is implemented through technological platforms and infrastructure.

Thx to weiboscope research project. More info: siusoon.net/unerasable-charact

The work is also showing at Bergen too as part of electronic literature org festival- uib.no/en/rg/electronicliterat

Super excited to announce the release of paperback : A Handbook of Studies, written w/ Geoff Cox, published by @openhumanities Press. Open access PDF + open source (txt+code) Fantastic cover and design by @osp_kitchen : openhumanitiespress.org/books/

Have been really joyful to work on Queer Motto APi - @transmediale almanac w/ @hp @ccl and Nynne. A project to think about what's software as service, and how we might reorganize and queer our collective life. Check it out and our manual
Our API manual: gitlab.com/siusoon/queer-motto

Our last work session before the holiday on , brought to you by Queer Service Team @hp , me, @ccl and Nynne Lucca:

"Neurode not better
formed to performance
System's perfection I'll different
Be fusion autonomous
Free wosk narrated
Are clack political"

A really lightening conversation between Audrey Tang (Digital Minister in Taiwan) + Yukiko Shikata (Curator in Japan) w/ shu lea cheang regarding FORKING PIRAGENE, covering art, design, FLOSS, personal data, securitycreative commons, digital vs IT, humanities, nature, alternative possibility and the possible future. Watch here: (one hour) t.co/maDv4XI34E

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post.lurk.org

Welcome to post.lurk.org, an instance for discussions around cultural freedom, experimental, new media art, net and computational culture, and things like that.