new nathan fake <3
got into a nice groove with strudel on the weekend https://youtu.be/4nAWumhvwYc?t=18123
#webaudio
I use that website a lot those days, to understand how web audio works. It is great in addition with mdn docs because it has lots of cool examples https://netart.rocks/notes/web-audio/
Tips for #Music creators #MusicProduction
It helps *loads* to get people to listen to your music if you include a short description of the track, for example:
"A light synthwave track with sweeping pads" or "A loud, chaotic chiptune piece with some dubstep elements"
It also helps if you either upload directly to a toot, or link to a place that will embed a player, like Bandcamp or SoundCloud, or better yet, Funkwhale.
in #tidalcycles, applying "sometimes rev" (or other randomly applied filters) to sequenced melodies or chords works great
but it sounds even better over sequenced beats
not much here for production values yet, but #tidalcycles makes it too much fun to mangle sampled loops and find new things
hi fediverse, my #introduction : I'm gama reis and I #livecode dancefloor-oriented music.
in 2020 a happy alignment of the stars got me into @yaxu 's Tidal Club course while I was looking for a pandemic hobby, and i found in #tidalcycles a beautiful method to begin realising a couple decades' worth of musical ideas. And the Tidal/algorave community is a singularly incredible place
after 2 years practicing and participating in a few online events, i feel like i'm just getting started, and hope this spot can help me discipline sharing what i'm making (i was never good at it) and breathe from what like-minded peers are doing
based on the chord sequence from Ouai Stéphane's banger
https://soundcloud.com/tsugimag/tsugi-premiere-ouai-stephane-i-have-feelings-tambien
$ refactoring beats
# vivisecting riffs
# reverse-engineering basslines
# backporting earworms
i write dancefloor oriented tunes through #livecoding with #tidalcycles and other #floss #linuxaudio tools, mostly covering riffs and loops that i cherish