👁‍🗹L’Oracle! DerniĂšre grosse BD de l’annĂ©e oĂč il sera question de consolation, de sorciĂšre fatiguĂ©e et un peu du sens de la vie. Dure Ă  sortir, celle-lĂ . Je vous aime, prenez soin de vous et passez un bel Ă©tĂ© !

« Carole Lidelev était plus lente que les autres mineurs, elle ne clÎturait souvent que deux libres par jour. Pas par manque d'aptitude, elle était trÚs douée pour la lecture, ni par paresse, mais parce qu'il lui était agréable de prendre son temps. Parce que ça n'avait pas d'importance. Parce qu'elle aimait s'imaginer que tout cela, sa vie, faisait partie d'un jeu... »

J'ai le plaisir de vous annoncer la sortie de mon second roman "Les Libres"

https://cfeditions.com/les-libres/

If you copy-paste a Project Gutenberg novel into a Wordpress Gutenberg block, three times, while staring into a powered off laptop screen in a darkened room, the ghost of Johannes Gutenberg himself will appear and whack you over the head and say "this really isn't what I meant, at all, at all"

Cleaned up my notes on #permacomputing this morning.

Salvage Computing: Designing for Disassembly ensures that all elements of a product can be disassembled for repair and for end of life.

Collapse Computing: Designing for Descent ensures that a system is resilient to intermittent energy supply and network connectivity.

https://wiki.xxiivv.com/site/permacomputing.html

:permacomputing:

<Experimental Publishing Graduation show 2022 | WALKIE TALKIE>
"XPUB Calling, Do you Copy? Over (...)"
"(...) Go Ahead XPUB. Over"
"On it.(...)"

Graduating students of the Experimental Publishing Master (XPUB), Piet Zwart Institute, invite you to tune into the frequencies of their collective knowledge during an evening and afternoon in Worm (Rotterdam).

What are we transmitting?
Hegemonies of standardised languages, publishing act introspection, ultraterritorality and telecommunications, conversations on food, economies and alternative communities of the Web, participatory narratives, diffractive methodologies, hybrid reality gaming ... These seem all different sorts of waves but in fact they are very much connected. We invite you to eavesdrop on our signal exchanges.

‱ Date: Friday 24th - Saturday 25th June
‱‱18:00 - 00:00 on the 24.06
‱‱12:00 - 17:00 on the 25.06
‱Location: UBIK & Slash Gallery

We are Kendal Beynon, Martin Foucaut, Camilo GarcĂ­a A., Clara Gradel, Nami Kim, Euna Lee, Jacopo Lega, Federico Poni, Louisa Teichmann, and Floor van Meeuwen.

"Copy, over."

> Outside/In s’inspire de la logique du panopticon. C’est une allĂ©gorie interdisciplinaire de science-fiction, dont l’expĂ©rience fait lumiĂšre sur les coins d’ombres d’une sociĂ©tĂ© basĂ©e sur les systĂšmes de contrĂŽle. Pour cette occasion, nous vous accueillons dans trois salles numĂ©riques pour assister Ă  l’Ɠuvre virtuellement.

Aujourd'hui vendredi 10 juin et demain samedi 11 juin à 20h (heures française et québécoise, donc 2 créneaux différents) vous pouvez découvrir Outside / In outsidein.theatrejunction.com
Ça se passe en ligne, c'est gratuit (inscrivez-vous pour recevoir le lien pour dĂ©couvrir le live), et ça dure 1h15.
Et surtout, ça pose en creux des questions passionnantes !

XPUB Grad Show
opening Friday evening 24 June @ 18h
WORM (UBIK + S/LASH Gallery)
Boomgaardstraat 69
Rotterdam
http://xpub.nl

Demain samedi 21 mai dans le cadre d', et plus prĂ©cisĂ©ment Ă  11h 🇹🇩 / 17h đŸ‡«đŸ‡·, je prĂ©senterai le NovendĂ©camĂ©ron (novendecameron.ramures.org/) avec @loupbrun et Jean-François VallĂ©e. Ça va ĂȘtre vraiment cool ! Pour suivre la prĂ©sentation il faut s'inscrire au colloque (inscription libre) : humanistica2022.sciencesconf.o

Merci d'afficher partout cette BD d'Emma : https://emmaclit.com/2022/05/19/ca-se-met-ou/

Elle y liste notamment les stratĂ©gies mises en place pour Ă©viter de faire les tĂąches mĂ©nagĂšres et c'est parfait 😬

💯

Depuis ce matin le colloque DH Unbound a débuté conftool.org/dhunbound2022/ses Je présente en ce moment Stylo avec d'autres doctorant·e·s (session poster) stylo-doc.ecrituresnumeriques.

Question: what’s the coolest thing you can do with open software that you don’t think anyone, or even many people, know is even possible?

| I'm on the Board of Movement Technology, a coop that provides tools and supports for both individual members (like me) and organizations that are members (e.g. Progressive Technology Project). We've been a bit challenged about how to deal with supporting folx shifting from depending on corporate tools like fbook to using libre tools instead. My own daughter is a member of Socialist Alternative and she tells me they have to use fbook because that's where the people are, and the floss tools are harder to use and not as feature rich. Now I on the other hand have stayed away from social media entirely, so I have no idea how to respond. So I decided to start here on lurk.

Avec la dématérialisation numérique, «le travail administratif auparavant réalisé par les Caf est transféré aux usagers» estime la politiste Nadia Okbani qui a répondu à nos questions. Pour certains usagers, l'accÚs aux droits est de plus en plus compliqué
https://basta.media/RSA-AAH-entretien-Nadia-Okbani-dematerialisation-Le-travail-administratif-auparavant-realise-par-les-Caf-est-transfere-aux-usagers

Posted this yesterday: “What I learned about markdown from interviewing a bunch of people”

Some thoughts that fell out of the research I’ve been doing. https://www.baldurbjarnason.com/2022/why-people-use-markdown/

I just published "What I learned about markdown from interviewing a bunch of people"

A bit of computing history in there as well.

https://www.baldurbjarnason.com/2022/why-people-use-markdown/

Un premier article issu de mon travail de recherche sur les templates vient de paraĂźtre dans la revue Design, Arts, MĂ©dias. Dans cet article, nourri d’entretiens avec plusieurs protagonistes de cette histoire, je retrace la genĂšse et l'Ă©volution des templates. https://journal.dampress.org/issues/systemes-logiques-graphies-materialites/une-breve-histoire-des-templates-entre-autonomisation-et-controle-des-graphistes-amateurs (1/3)

Show older
post.lurk.org

We are an instance for discussions around cultural freedom, experimental, new media art, net and computational culture, and things like that.

<svg xmlns="http://www.w3.org/2000/svg" id="hometownlogo" x="0px" y="0px" viewBox="25 40 50 20" width="100%" height="100%"><g><path d="M55.9,53.9H35.3c-0.7,0-1.3,0.6-1.3,1.3s0.6,1.3,1.3,1.3h20.6c0.7,0,1.3-0.6,1.3-1.3S56.6,53.9,55.9,53.9z"/><path d="M55.9,58.2H35.3c-0.7,0-1.3,0.6-1.3,1.3s0.6,1.3,1.3,1.3h20.6c0.7,0,1.3-0.6,1.3-1.3S56.6,58.2,55.9,58.2z"/><path d="M55.9,62.6H35.3c-0.7,0-1.3,0.6-1.3,1.3s0.6,1.3,1.3,1.3h20.6c0.7,0,1.3-0.6,1.3-1.3S56.6,62.6,55.9,62.6z"/><path d="M64.8,53.9c-0.7,0-1.3,0.6-1.3,1.3v8.8c0,0.7,0.6,1.3,1.3,1.3s1.3-0.6,1.3-1.3v-8.8C66,54.4,65.4,53.9,64.8,53.9z"/><path d="M60.4,53.9c-0.7,0-1.3,0.6-1.3,1.3v8.8c0,0.7,0.6,1.3,1.3,1.3s1.3-0.6,1.3-1.3v-8.8C61.6,54.4,61.1,53.9,60.4,53.9z"/><path d="M63.7,48.3c1.3-0.7,2-2.5,2-5.6c0-3.6-0.9-7.8-3.3-7.8s-3.3,4.2-3.3,7.8c0,3.1,0.7,4.9,2,5.6v2.4c0,0.7,0.6,1.3,1.3,1.3 s1.3-0.6,1.3-1.3V48.3z M62.4,37.8c0.4,0.8,0.8,2.5,0.8,4.9c0,2.5-0.5,3.4-0.8,3.4s-0.8-0.9-0.8-3.4C61.7,40.3,62.1,38.6,62.4,37.8 z"/><path d="M57,42.7c0-0.1-0.1-0.1-0.1-0.2l-3.2-4.1c-0.2-0.3-0.6-0.5-1-0.5h-1.6v-1.9c0-0.7-0.6-1.3-1.3-1.3s-1.3,0.6-1.3,1.3V38 h-3.9h-1.1h-5.2c-0.4,0-0.7,0.2-1,0.5l-3.2,4.1c0,0.1-0.1,0.1-0.1,0.2c0,0-0.1,0.1-0.1,0.1C34,43,34,43.2,34,43.3v7.4 c0,0.7,0.6,1.3,1.3,1.3h5.2h7.4h8c0.7,0,1.3-0.6,1.3-1.3v-7.4c0-0.2,0-0.3-0.1-0.4C57,42.8,57,42.8,57,42.7z M41.7,49.5h-5.2v-4.9 h10.2v4.9H41.7z M48.5,42.1l-1.2-1.6h4.8l1.2,1.6H48.5z M44.1,40.5l1.2,1.6h-7.5l1.2-1.6H44.1z M49.2,44.6h5.5v4.9h-5.5V44.6z"/></g></svg>