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Well... I'm quite scared because I can't find negative opinions about nft art market at all and all of articles or comments are welcoming it.

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I don't know about nft so much. Just started thinking. People in art school are not satisfied with art market in Japan, so they have quite positive feelings to it, I think. But I need to know negative opinions to it. In Japanese information, I couldn't know it for now.

Friends in time zones excluding JST! Today Aoi Tagami as a solo and she & I as a duo played at the really nice venue Velvet Sun. The archive is still there, check it out. It ends on the 25th in JST, so I guess it will end on the 24th almost in your area?

okachiho boosted

Vocal, Voice: Aoi Tagami; Synth: Chiho Oka; Recorded by Aoi Tagami's voice recorder, at Ftarri

*This is a recording with quite a lot of noise.

A part of the recording of the New Year live performance by Aoi Tagami and Chiho Oka on January 3, 2021. Actually, there exists a good recording by the owner of Ftarri, Mr. Suzuki, which we hope you can listen to someday.

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I think... I've seen on Twitter that turning off the shining display effect on qjackctl UI can improve the sound. Was that a joke?

Ursonate - Kurt Schwitters,
Performed by Teppei Higuchi

In 2020, ДОТ - долговременная огневая точка, which is my house in Senju-Sekiya, Japan, welcomed our friend Teppei Higuchi, who came back after a long absence. Surprisingly, he had become unusually good at reciting the Ursonata by Kurt Schwitters, which he had been practicing during the lonely Covid-19 quarantine period. At this time, I am pleased to announce the release of his audio/cassette in spring, 2021!

It will be wrapped in the cover of Hydra concrete poetry by Jasmin Meerhoff!
*The work that led me to ask for artwork: "Access Without" ->

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Get info about an upcoming release: Ursonate - Kurt Schwitters, Performed by Teppei Higuchi + Artwork by @jine ! We are making nice cassette tapes. Now, please enjoy the recording of version A on here:

I got Genelec speakers with calibration tools! Thanks 文化庁Japan!

Well... I've been posting on Twitter quite a lot lately, and it's just plain exhausting. I'm afraid to write down every thought I have.

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We are an instance for discussions around cultural freedom, experimental, new media art, net and computational culture, and things like that.

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