#NIME website is updated so I guess I can share my work with Anne-Sophie Andersen that's part of this year's conference. http://nime2021.org/program/#/paper/76 It's a web-based 3D model based on analysis done on Gerard Grisey's composition for chamber ensemble Talea that you can explore, mouse-over for analysis details, and press P to play relevant snippets from a performance. I used #threejs for all the 3D bits of the model (generated on system load), #p5js and #processing to generate their textures, and #python for a bit of data conversion here and there.
hci-related robotics;notes blathering
and also the MC is basically playing a twin-stick shooter on their phablet for half the anime and when it comes to controlling a real robot, prefers to use the same interface? which makes me wonder how it that works if he isn't staring at the screen. do the twin sticks transpose on the screen to whether his fingers press? how error-tolerant is the device to him accidentally lifting his fingers off the screen then momentarily (distinguishing between transposing controls vs pushing a stick to the extremes of a range)? Or maybe it's just muscle memory or mb there's some sort of haptics involved? How does a touch-based interface manage to be expressive (capable of controlling various dimensions and triggering various techniques) yet error-tolerant?
also i find myself thinking about maybe what sorts of connections the phablet controller has with the physical robot (probably bluetooth? in that case, how does it manage 10+ feet ranges, does real bluetooth do that?)
also i should stop procrastinating and get back to class readings
i've been watching robotics;notes (which isn't about my ai for robotics notes from last semester thankfully) and everybody has weatherproof phablets with nifty AR features that they all keep side-holstered and maybe it's noteworthy how their digital existences seem tied to them but i'm more intrigued by how the batteries seem to last forever and how they seem to be a legit competitive gaming platform.
side-effects galore! very clean code 👍
it seems like throughout my life over and over again i end up having to do some sort of osc to web browser bridge via websockets and i used to do it in node but i'd figure i'd learn async programming a little more and try it in python where it isn't so automatic so here is my hacky, baby-deer-in-async-land, wip python version https://github.com/derekxkwan/osctowebskt-py
sometimes when i want to laugh i think about how my silly #puredata abstractions are stored in the arctic code vault and then think about what other silly things might be stored there and also maybe i want to live in the arctic code vault too, do my pd abstractions count as rent
Mark Fell is an incredible composer and thinker.
This is the interview I've been waiting for for a quite a while now:
trying to record myself talking for NIME and I have never been great at speech things but trying to record myself talking makes it so much worse, i even forget how to make certain sounds with my mouth and the best of out millions of takes have weird pauses in them. i guess i will never become a va/seiyuu lol
weird music-oriented keyboard ebay listing somebody tweeted on the birdsite that i thought was worth sharing here
i remap my caps lock (and windows key) to L Ctrl (holdover from my emacs days) using setxkbmap and several times during the day, it seems like my external keyboard forgets it and it resets to a normal caps lock (it's probably when i slightly bump the usb hub or something) and atm i don't want to figure out running that command automatically when the keyboard connects so i will just complain about it on here for now
if there are any takeaways from this hci class for me, it's about the value of alternative representations (visual, aural, etc.), higher levels of manipulation and representation (because there's no sense in futzing with the lower level stuff if you don't have to), abstraction, the value of letting computers/programming languages (visual and textual, high and low level) do the work, the power of interaction and networks with both human and machine (and human mediated by machine)
and also that i am still so very bad and very slow at reading and so very easily distracted, i mean it's taken me hours to read 8 pages and i fell asleep twice in the middle of it and i still have so many more pages to go why why why
ah, now i'm running into the limitations of having a free account on vimeo and i'm not able to set the quality of a player with just a free account and i'm unhappy again
TIL YouTube's player API is really horrible to work with and the way they suggest loading it is really weird and indirect and also wasted a few hours trying to figure out how to get it to actually work. Vimeo's player API on the other hand... actually works the way including a JS library should actually work and doesn't have any weird redirects to totally different domains
i have recurring dreams of going to an arcade and i kinda wonder what made going to the arcade a special experience vs staying at home and wasting my days away on a genesis. are arcades still a thing (granted covid didn't kill the last of them)? was what made arcades special communality or accessibility (emphasis on pick up and play and shorter experiences)? is there a nowadays equivalent to arcades?
computers / music / art / he / him / (online) cs grad student (and percussionist at some point) / 🦦🐈🍛🐧🍮
Welcome to post.lurk.org, an instance for discussions around cultural freedom, experimental, new media art, net and computational culture, and things like that.