Show newer

Ok this is loads of fun.. Live code youtube interface from Sang Won Lee and Jungho Bang: livecodingyoutube.github.io/

the aim is not to produce acclaim-worthy posts that make you stand out on the timeline. the aim is to post at the same resonant frequency as other users in the shoal, creating confusing patterns to deter killer whales and other large predators

My current institution, Sciences Po, has opened ten 3-year postdoctoral positions for environmental scholars thanks to a generous donation from the late Bruno Latour.

These positions are open to #histodons #envhist candidates with an excellent profile and an exciting research project. Please find more details on this call here: https://www.sciencespo.fr/recherche/en/content/postdoctoral-fellowships-fonds-bruno-latour.html

The deadline for the 1st wave is December 1, 2022.

Please do not hesitate to share widely --and to apply if you qualify!

Benjamin Peters in his talk yesterday at Utrecht University: "Like technologies, every theory disappoints! They can be reductive - and reduce knowledge. Our challenge is to let evidence break apart theories."

map from "sonic landscapes" - "a participatory art project which explores drawing as a tool to tune into and map the experience of everyday environmental sound"

livingmaps.org/kimbal-bumstead

๐Ÿชข Undoing data practices ๐Ÿ“ฃ call for short-form contributions ๐Ÿ’ฅ 

Weโ€™re looking for short works โœ’๏ธ that critically examine (and undo ๐Ÿงถ ) the ascendancy & proliferation of contemporary data practices.

This might include queer, decolonial, more-than-human readings of dominant epistemic forms in data science & viz, machine learning/AI, etc

We're keen to attract contributors from diverse ๐ŸŒ global regions and authors offering alternative creative and knowledge making practices.

๐Ÿงต 1/2

Call for Abstracts โ€“ Journal Of Imaginary Research
Each submission consists of:
1. A title for your (fictional) study
2. A 200-word imagined (fictional) research abstract
3. A 100-word imagined (fictional) researcher biography
4. An image
Deadline Friday 2nd December, 2022
journalofimaginaryresearch.hom

that feeling when you arrive in a new dimension, and stick a paw into the pool for the first time...

(ใฃโ—•โ€ฟโ—•)ใฃเผถโ‹†ห™โŠน

Trying to ratchet up some discussion around Mastodon & public service media. @robertwgehl & I wrote up a call for the CBC to get on Mastodon: https://theconversation.com/canadas-public-broadcaster-should-use-mastodon-to-provide-a-social-media-service-194116 For folks following along, this is my latest version of my "Canada should nationalize Reddit" trope I find in all my commentary.

Mastodon #introduction ๐Ÿ‘‹๐Ÿผ โ—๏ธ I'm a designer-artist-educator working on making the internet a safer environment, and a place of joy and play. Also I write/draw/publish indie comics and zines, particularly the non-fiction kind ๐Ÿ‘จ๐Ÿปโ€๐ŸŽจ

I just co-authored my first book and it just came out, so I've been doing a season of promos for it โ€” check out a trailer for it ๐Ÿ‘‡๐Ÿผ and for more info ๐Ÿ‘‰๐Ÿผ https://hanmoji.org

#introduction
Iยดm Hito in Berlin, a person formerly known as filmmaker.
Havent been on social media for the past years for obvious reasons and look forward to discuss very diverse issues from post documentary to future everything. Keywords: digital image generation, essay film, ML visual modes of production, blockchain (winter), urban history, German racial histories and their present. Might also digress into neolithic archaeology, quantum physics or other stuff i know nothing about, sorry.

As I moved over to the hcommons.social server a bit of an #introduction. I am a cultural and media theorist working across the fields of (book) publishing and digital culture. My research explores the future of scholarly communications and experimental forms of knowledge production, incorporating processual and performative publishing, #radicalOA, scholarly poethics, media studies, book history, cultural studies, and critical theory. I am an Associate Professor at The Centre for Postdigital Cultures at Coventry University where I currently oversee the post-publishing research theme and co-lead on the COPIM project (Community-Led Open Publication Infrastructures for Monographs). I also support various publishing projects & collectives, including the Radical Open Access Collective, Open Humanities Press, the Open Book Collective, and Post Office Press. I also published an openly available monograph, Living Books. Experiments in the Posthumanities (MIT Press 2021) https://mitpress.mit.edu/9780262046022/living-books/

Algorithms for Her? 2 โ€“ Call for Papers: algorithmsforher.wordpress.com

We invite contributions relating toโ€ฆ

โ€“ Intersectional feminist work critically examining machine learning, content moderation and algorithms (broadly defined).

โ€“ Intersectional feminist work examining software/tools/app design and infrastructure.

โ€“ Intersectional feminist work on platform labour and inequalities.

โ€“ Feminist methodologies for studying and teaching algorithms and the ethical questions they raise.

โ€“ Industry/nonprofit cases of addressing discrimination/bias sustained by and โ€˜withinโ€™ technologies.

Deadline: Friday 11th November 2022

#introduction i used to write about software. https://twobits.net now i write about labyrinthine ecologies https://labyrinth.garden. i joined this server in 2017 but this is the first time anyone i know is here. hopeful. hello.

Call for creative commissions on ARTICULATING DATA - please share widely!
https://wp.me/p6jdeM-BC

Amazing collection of work on the sonification of forests and plants put together by @jwyg et al. !

๐ŸŒฒ๐Ÿ”Š

http://forestlistening.publicdatalab.org

Show older
post.lurk.org

A fediverse community for discussions around cultural freedom, experimental, new media art, net and computational culture, and things like that.

<svg xmlns="http://www.w3.org/2000/svg" id="hometownlogo" x="0px" y="0px" viewBox="25 40 50 20" width="100%" height="100%"><g><path d="M55.9,53.9H35.3c-0.7,0-1.3,0.6-1.3,1.3s0.6,1.3,1.3,1.3h20.6c0.7,0,1.3-0.6,1.3-1.3S56.6,53.9,55.9,53.9z"/><path d="M55.9,58.2H35.3c-0.7,0-1.3,0.6-1.3,1.3s0.6,1.3,1.3,1.3h20.6c0.7,0,1.3-0.6,1.3-1.3S56.6,58.2,55.9,58.2z"/><path d="M55.9,62.6H35.3c-0.7,0-1.3,0.6-1.3,1.3s0.6,1.3,1.3,1.3h20.6c0.7,0,1.3-0.6,1.3-1.3S56.6,62.6,55.9,62.6z"/><path d="M64.8,53.9c-0.7,0-1.3,0.6-1.3,1.3v8.8c0,0.7,0.6,1.3,1.3,1.3s1.3-0.6,1.3-1.3v-8.8C66,54.4,65.4,53.9,64.8,53.9z"/><path d="M60.4,53.9c-0.7,0-1.3,0.6-1.3,1.3v8.8c0,0.7,0.6,1.3,1.3,1.3s1.3-0.6,1.3-1.3v-8.8C61.6,54.4,61.1,53.9,60.4,53.9z"/><path d="M63.7,48.3c1.3-0.7,2-2.5,2-5.6c0-3.6-0.9-7.8-3.3-7.8s-3.3,4.2-3.3,7.8c0,3.1,0.7,4.9,2,5.6v2.4c0,0.7,0.6,1.3,1.3,1.3 s1.3-0.6,1.3-1.3V48.3z M62.4,37.8c0.4,0.8,0.8,2.5,0.8,4.9c0,2.5-0.5,3.4-0.8,3.4s-0.8-0.9-0.8-3.4C61.7,40.3,62.1,38.6,62.4,37.8 z"/><path d="M57,42.7c0-0.1-0.1-0.1-0.1-0.2l-3.2-4.1c-0.2-0.3-0.6-0.5-1-0.5h-1.6v-1.9c0-0.7-0.6-1.3-1.3-1.3s-1.3,0.6-1.3,1.3V38 h-3.9h-1.1h-5.2c-0.4,0-0.7,0.2-1,0.5l-3.2,4.1c0,0.1-0.1,0.1-0.1,0.2c0,0-0.1,0.1-0.1,0.1C34,43,34,43.2,34,43.3v7.4 c0,0.7,0.6,1.3,1.3,1.3h5.2h7.4h8c0.7,0,1.3-0.6,1.3-1.3v-7.4c0-0.2,0-0.3-0.1-0.4C57,42.8,57,42.8,57,42.7z M41.7,49.5h-5.2v-4.9 h10.2v4.9H41.7z M48.5,42.1l-1.2-1.6h4.8l1.2,1.6H48.5z M44.1,40.5l1.2,1.6h-7.5l1.2-1.6H44.1z M49.2,44.6h5.5v4.9h-5.5V44.6z"/></g></svg>