early experiments building a live coding environment for the collab project geometries.xyz thanks to the support of @StimuleerFonds

@oskariof I misread which thread your comment was following, sorry! In regards to glossaries / definitions of terms for natural and programmings languages, this is in the context of esoteric programming, and ways for co-writing code that channel new imaginaries (instead of reproducing on the same metaphors). Leaving here the link to a project I am working on atm geometries.xyz/ — I am curious about references in the broad sense not necessarily from artistic research practices though, any other fields and angles are welcome! Thank you for your interest, also let me know if this answered your question.

@oskariof hi! which question do you mean? we were meant to host a stream at Varia which didn't happen due to Covid, but the conference has been recorded and I am still going to watch it. My experience with DAT though comes from using the beaker browser which is an interesting way of thinking modes of 'publishing' and sharing material with your network.

* ¿* I am researching / collecting online platforms that present glossaries (for both natural and programmings languages) and different ways of relating concepts / definitions of terms — any references * ? *

Come read with us online, this thursday evening, 23/07, 16:00 - 18:00 CEST. 📚

Varia is hosting two collective reading and conversation sessions. One will be online and one will be in our physical space, as a series of events to discuss matters of abolitionist technology & community-driven systems of accountability, while generating anonymous, consensual debris for stone throw, a temporary online work to share our resources and reflections. We sought texts that are talking about what we want to learn with and about, now.

For our first session we will read from Ruha Benjamin's Race After Technology, choosing chapter 5 Retooling Solidarity, Reimagining Justice to read together. In this chapter, Benjamin examines how practitioners, scholars, activists, artists, and students are working to resist and challenge the New Jim Code (a term Benjamin uses to connect discriminatory technology with past segregationist laws in the Southern states). This chapter also offers suggestions on how to contribute to an approach to technology that moves beyond accessing new products, to advocating for justice-oriented design practices.

These workshops are made with @jules @ccl. 👌

Find out more here - varia.zone/en/rr-stone-throw-1

*Job opening* instrumentinventors.org/call-f
iii is an artist run, community based platform supporting new interdisciplinary practices linking performance, technology and the human senses.

Call for participation is out: - Of Whirlpools and Tornadoes 20th - 23rd of May 2020
Festival locations: architekturforum oö, Stadtwerkstatt, Kunstuniversität Linz

Link: radical-openness.org/en
Deadline: 24th of February 2020.

How can organisations and citizens address the weird implications of the design, mythologies and usages of the internet(s) and digital technologies in the environmental emergency? @iam_internet
— > open call: iam-internet.com/weekend#call

:::::::::::::::::::::::::::: Call for Submissions :::::::::::::::::::::::
DIGITAL POWER: Activism, Advocacy and the Influence of Women Online digital-power.siggraph.org/wp/

<- - - exhausting dance; and the movement continues --- > script & documentation for the performance — > interpreter.works/Chicau

'while the different conditions for consent in feminist debates represent a series of different actions, the conditions of consent to our data bodies are all expressed in one single act, which is clicking on the agree or disagree button.': codingrights.org/docs/ConsentT

Looking forward to taking part in radicalnetworks.org! together with amazing people and projects @ primeproduce.coop

while preparing teaching material for Willem de Kooning Academy — updated a series of references on choreographic coding +
resources and theory on open technology + web design and programming + live coding tools and free software — - > see the wiki at - - - > github.com/JoBCB/Rehearsal_Ser

Let's continue to funnel some part of live notes to here. With who dance and codirect the KuntenFestivaldesArts "From expression to circulation
from property to use
It’s not the movement of the body, but by the body.
Dance is made of an encounter between movement and bodies.
The movement of movements between different bodies.
We have to see also the other aspect; if we make exactly the same movement now as a month ago
Does the movement exists indipendently of its appearance materialized in the movements of different bodies?
We need to imagine continuous life of the mouvement
A circulation of bodies inside the life of one movement
Dance is where the bodies occupy the movement
Bodies visualize the life of the mouvement at certain moment
'she moves, she's still alive'
But here the bodies show it’s the movement that is still alive.
which is a not-body
dance gives possibility to exceed the antropocentric vision of life"

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in one week time I will performing w/ Renick Bell at WORM Rotterdam — > together with amazing artists & a workshop by Olivia Jack - - - > see details worm.org/production/algo-rhyth

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Welcome to post.lurk.org, an instance for discussions around cultural freedom, experimental, new media art, net and computational culture, and things like that.