ghostglyph @ghostglyph@post.lurk.org
artist/writer uk // things can be found at https://bruise.in
would anyone like to join an experimental webring? It's called nightwalk and only appears Midnight - 3am for night surfing? details at https://bruise.in/nightwalk.html 🌑
started playing with small AM radio receivers last week as part of drone jam. I wrote a bit about it here (with sound) https://ghostglyph.itch.io/twisted-wire
Would be interested to know if anyone has advice on where to look next for small DIY builds-(I found out about these receivers via @rose_alibi ) or of any writing around radio waves, low frequency AM stuff, linked to WiFi and 3G etc.
Brexit/grifter vent
Brexit festival lands in my hometown this weekend. Chaotically bland. Avoiding these grift-based organisers and practitioners is exhausting. This position of not biting the hand that feeds isn't working.
Super excited to see the artist book is out. Together with Cornelia Sollfrank , we've contributed our piece called nag_bash as part of The Computer as Seen at the End of the Human Age. Thx to Olle Essvik for the invitation! 🎉
Work description: http://siusoon.net/nag_bash/
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Thousands of files eventually compiled into 200 unique books, each with a different cover and different contents – generated, aided or influenced by algorithms.
Get here: https://rojal.se/
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Participating artists: Geraldine Juárez, Cornelia Solfrank/Winnie Soon, Mishka Henner, Shane Hope, !Mediengruppe Bitnik, Rosa Menkman, Rosemary Lee, Olle Essvik, Evan Roth, Jonas Lund, Darsha Hewitt, Carl-Johan Rosén, Linda Hilfling Ritasdatter and Jacek Smolicki.
Editor: Olle Essvik
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Open call is out for #Constant worksession:
Weak signaaal looks at human and non-human communication practices which play, open-up and wreck linguistic systems while acknowledging their ever-changing, unpredictable and muddy qualities.
On 2, 9, 16, 23 june.
I'm doing a keynote presentation at this event https://thephotographersgallery.org.uk/whats-on/concerning-photography-photographic-networks-britain-c-1971-present-day-3 and at first I was truly scared but I think I've calmed down a bit.
this is live now! still a few hosts looking after each of the works, so now is a good time to drop by:
https://carefulnetworks.net
a project I've been working on is going live this evening- 7pm BST. It's a p2p exhibition featuring new commissions from 12 amazing artists.
It's accessed over hyper:// and for the start this evening each of the artists is going to be the single host of one of the other artists works. You navigate around the works like a web ring moving between the different hosts. It has been a really joyful project, exploring a different protocol with a wonderful group of artists and orgs. Would love to know what fellow LURKers make of it if you get a chance to visit.
Https://carefulnetworks.net
Hi all, I've been lurking here for a while now, and hadn't got around to an intro post. I'm an artist/writer based in Leicester, UK. I just published a new thing https://bruise.in which is inspired and informed by a lot of the work I see posted in this network. It is an attempt at placing my fiction writing alongside my experimental publishing and network interests. There are three short novels available and some resources/ideas around e-pub research. 🙋🏽
If you missed Episode 1, the stream archive is available on demand now! thanks to Undersco.re for the stream and archive infrastructure ♥
"It's Weird, Okay!? I Get It's Weird!": Finding the Self in the Para-Real with VR Documentarian Joe Hunting ✨✨✨
https://tv.undersco.re/videos/watch/808da42a-7d8e-4a57-adf5-9e5177379617
On May 17 Rhizome's Preservation Team will answer audience questions live on the internet: https://rhizome.org/events/from-black-boxes-to-open-systems-ask-rhizome-a-digital-preservation-qa/
We made a notepad where you can write down issues you'd like to discuss: https://notepad.rhizome.org/BBOSIV?edit Or just bring them up during the session.
The session will not be recorded, so nobody has to pretend to know it all. 😅
If you're an artist, digital preservation professional, hobbyist, or just interested in anything related to digital art preservation, tune in—I hope we'll be able to give some useful hints.
https://apod.li/, the library of artistic print on demand, has been just launched. I'm very glad Andreas Bülhoff and Annette Gilbert put together this labor of love. POD, which goes well beyond a system of production and distribution, means a lot to me and it has deeply influenced my work.
The Experimental Publishing (#XPUB) class of 2020 would like to invite you to the launch of our final publication, Collectiveioning. 
Collectiveioning is a #publication that collects the work generated in our time at XPUB, from collective Special Issues in the first year (Special Issues 07, 08, 09), with threads that connect to the second year #graduation projects.
Date: #Friday, July 10th, 2020
Time: 19h-2030h CEST/UTC+2
Place: https://project.xpub.nl/collectiveioning/
Occasion: ULTIMATE #Extraordinary Very Special Issue Indeed
Attire: #Birthday Suit or Business Casual or #Casual Business or Come As You Are
XPUB Class of 2020:
Simon Browne 📚
Bohye Woo 📄
Paloma García 🗺️
Artemis Gryllaki ✊
Tancredi di Giovanni 🌀
Pedro Sá Couto 🖨️
Biyi Wen 📻
Rita Graça 🚨
The Collectiveioning launch is made possible with the support from Open Source Publishing, servus.at and lilimit.
artist/writer uk // things can be found at https://bruise.in
