Paul Slocum, software developer who has been curating, conserving, and selling digital art since 2006 wrote an excellent and extensive survey of the effects and problems in the takeover of networked culture by creepto-capital.
He couldn't find a suitable publication for his critical perspective which speaks volumes about the state of media institutions which made a name and raise funding precisely promoting the opposite values to those of blockchain culture and now are totally integrated and participating in the cultural and economic distortion described by Paul.