My essay on Crapularity Aesthetics is out:
- Why "contemporary art" is not what its name literally means, how this reenacts the discourse of "Neue Musik", and how everything is connected to wasteful accumulation in (electronic and non-electronic) crapularities. part of 'Making & Breaking', an online journal published by the research department of AKV St. Joost in Breda edited by Sebastian Olma & Patricia Reed.

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