Hey everyone, http://oneterabyteofkilobyteage.tumblr.com/ is up again after being inactive for almost two months. One new Geocities home page every 20 minutes, in chronological order, photographed from original software.
No lazy webkit rendering, authentic browser fully included :)
Imagine, if you can, an audiobook version of E.M. Forsters premonitory short story 'The Machine Stops' (1909!) playing off a laptop, gently humming on the other side of the bed.
“𝐶𝑜𝑣𝑒𝑟 𝑡ℎ𝑒 𝑤𝑖𝑛𝑑𝑜𝑤 𝑝𝑙𝑒𝑎𝑠𝑒. 𝑇ℎ𝑒𝑠𝑒 𝑚𝑜𝑢𝑛𝑡𝑎𝑖𝑛𝑠 𝑔𝑖𝑣𝑒 𝑚𝑒 𝑛𝑜 𝑖𝑑𝑒𝑎𝑠.”
welcome to mastodon @marisa!
an artist and writer that shaped and described some of the most important art in the last decade+ :)
really feeling the design vibe of this intense site about measuring invisible vibrational energy fields around objects using stainless steel calipers http://www.resonantfractals.org/index.html
@eilis In relation to art as user-generated content, I wrote a bit about a similar idea, mostly via the role of art as meme within surface web platforms.
On Ketamine and Added Value (2017)
on Art As UGC
"You could embrace chaos and illegibility, creating visual or written work that is non-instrumentalizable, but legible across many parts over a longer period of time. This might mean making work that operates at a different tempo than that of branding and social media, work that occupies multiple sites and forms, work that fights for the complexity of identity (as artist or otherwise) and form, and believes in a creaturely capacity for patience with a maximum dedication to understanding."
a new essay in the Infinite Séance series by Olia Lialina 🙂
Infinite loop, infinite scrolling, numbered days:
& here's a bonus fb (🤷) link to download an .epub of Lillith's Brood (the #Xenogenesis Trilogy) by #OctaviaButler
artist / appreciating the depreciated
Welcome to post.lurk.org, an instance for discussions around cultural freedom, experimental, new media art, net and computational culture, and things like that.